[ She shudders a bit at the mention of the raptor's nest, because she ssssure does have like. Five. Versions of that memory? It's hard to think about without getting a headache. ]
Hopefully this will go better than that did … [ Mutters, and then, more loudly: ] Okay! Let's go. I'll watch our backs. [ Because she does not trust this darkness, and between the two of them they'll hopefully be able to spot any trouble before it hits them. ]
[ SEE, EVEN THE ONES THAT ENDED WITH US ALIVE HAVE SLIGHT VARIATIONS IN TONE it is very confusing, okay ]
[ She silently creeps after him, ears pricked for anything that sounds out of place. There's got to be something here determined to stop them, and damnit, she will see it before it can hit them!1 ]
[the lights continue to flicker above you, and you think you can hear some clanging or crashing or mumbling sounds beyond the walls. but nothing leaps out from the unknown and attacks you]
[eventually, the darkness gives way to the corridor's ending. you can see two doors, one on either side of you: the right one is marked MESS HALL and is splattered with some kind of. . . brown, gravy-like substance. the left one is marked INFIRMARY and is spattered with blood]
[ur welcome]
[from behind you, far behind you, you hear the sound of claws scraping against metal]
Of course there's blood, why wouldn't there be … [ Aoko breathes, grumbling quietly. She's already on edge from those sounds, let alone the physical signs that Something Is Here. ]
[ … claws against metal ]
[ she whips around, grip tightening into a cling on her staff. ]
Aren't you supposed to be good at this kind of thing?! Geez— [ Nervous, shifting on her feet, staff clutched close to her chest. ] Look for a … a release button, or something, there might be one somewhere! I've got you covered!
I said it was stuck, not that I couldn't get it unstuck! Have some faith!
[he casts a wary glance down the hallway as he runs his hands over the door, then the frame next to it, searching, searching for a lock or a button or--]
[a hidden keypad]
[he flips the keypad open to reveal a series of numbers. or, he assumes they're numbers. they look more like weird squiggly shapes to him. alien numbers, man. he could probably disarm the keypad lock, but]
Okay, take a step back!
[as he draws his weapon from its holster, he thinks it's probably quicker and easier to blast their way through. for now]
[. . . the scraping noise is now accompanied by low gurgling]
[ … WELL THAT'S ONE WAY TO DO IT, SURE. Aoko does as she's told, shifting from foot to foot anxiously and bringing her staff down into a ready, guarded position. ]
The noise is gonna give away our position completely … [ Not a complaint so much as a, yeah, that's a thing; she's okay with him doing what he has to do. SHE'D JUST RATHER NOT HAVE A HORDE OF ALIENS COME DOWN ON THEIR HEADS. ] But if we have no choice, we have no choice!
I think our voices might've already done that. . .!
[levels the barrel of his laser gun at the keypad lock, takes aim, and--]
[there's a flash of red light and a bang as the lock bursts apart and sizzles into a thousand shattered pieces. sparks fly, and the gurgling sound from beyond the corridor suddenly turns into an alarmed, throaty noise]
[the door whooshes open]
Looks like we're welcome in here after all. . .! C'mon!
[he grasps at her wrist and yanks her inside the (currently pitch black) room]
[she finds a lightswitch on the wall (though it's more like a button than a switch), and the lights flicker on]
[bright lights. the kind of searing, fluorescent lights you'd find in a hospital. after creeping through the darkness for so long, it might take a moment for your eyesight to adjust.]
[but congratulations, you've found an infirmary. despite the blood spatters on the door outside, it seems pretty clean. . .? well, except for the stainless steel tray of sharp surgical tools. those are all covered in blood]
[there's another sliding door on the opposite end of the room. and although the one you came through slammed shut at your backs, from beyond it you can still hear the creature approaching, sharp toenails clicking against the floor at a faster pace than before]
[ gosh Kaito you can totally jam these kind of doors by shooting something in all of the movies! Except shooting the lock in this case caused it to open, so maybe not … SO. Aoko just nods quickly, and starts pushing! ]
[yeah that is the only reason he didn't try shooting the door again. . . ]
[either way, they push! the bed rolls quickly across the linoleum floor and races towards the door. and just in time too, for the door slides open to reveal ONE OF THESE]
[who lets out a surprise squawk as the bed slams right into its stomach and sends it flying back out into the dark hallway with a crash]
[bolting for the opposite door seems to be a wise idea, because that sure is the sound of one angry salad shooter ripping a mattress to pieces with a loud snarl]
[ yes of course she's taking the time to bicker, but that's only because bickering doesn't slow her down at all. when he bolts, she's right on his heels. ]
Are we going through the same way as last time?
[ maYBE NEXT TIME LET'S NOT DRAW ATTENTION TO OURSELVES, OKAY, WE COULD HAVE AVOIDED ALL OF THIS ]
[LOOK. LOOK. WE WERE IN A HURRY. IT WAS THE EASIEST WAY IN]
[thankfully, the door they approach (which is labeled HATCHERY) is not locked. it whooshes open quickly, allowing them to escape into yet another dark room]
no subject
[ She shudders a bit at the mention of the raptor's nest, because she ssssure does have like. Five. Versions of that memory? It's hard to think about without getting a headache. ]
Hopefully this will go better than that did … [ Mutters, and then, more loudly: ] Okay! Let's go. I'll watch our backs. [ Because she does not trust this darkness, and between the two of them they'll hopefully be able to spot any trouble before it hits them. ]
no subject
I'll take the front, then.
[AND WITH THAT, he presses his hand against his weapon again and creeps sloooowly forward, into the darkness]
no subject
[ She silently creeps after him, ears pricked for anything that sounds out of place. There's got to be something here determined to stop them, and damnit, she will see it before it can hit them!1 ]
no subject
[the lights continue to flicker above you, and you think you can hear some clanging or crashing or mumbling sounds beyond the walls. but nothing leaps out from the unknown and attacks you]
[eventually, the darkness gives way to the corridor's ending. you can see two doors, one on either side of you: the right one is marked MESS HALL and is splattered with some kind of. . . brown, gravy-like substance. the left one is marked INFIRMARY and is spattered with blood]
[ur welcome]
[from behind you, far behind you, you hear the sound of claws scraping against metal]
no subject
[reaches out to place his hand against the infirmary door, but he freezes when the scraping noise reaches his ears]
Tch. . .! Gotta move a li'l faster!
no subject
[ … claws against metal ]
[ she whips around, grip tightening into a cling on her staff. ]
Then let's go already!
no subject
[SHOVES THE DOOR]
[. . .]
[it doesn't budge]
[SHOVES. . . AGAIN]
It's stuck!
[meanwhile, the scraping begins to get louder, and louder]
no subject
no subject
[he casts a wary glance down the hallway as he runs his hands over the door, then the frame next to it, searching, searching for a lock or a button or--]
[a hidden keypad]
[he flips the keypad open to reveal a series of numbers. or, he assumes they're numbers. they look more like weird squiggly shapes to him. alien numbers, man. he could probably disarm the keypad lock, but]
Okay, take a step back!
[as he draws his weapon from its holster, he thinks it's probably quicker and easier to blast their way through. for now]
[. . . the scraping noise is now accompanied by low gurgling]
no subject
The noise is gonna give away our position completely … [ Not a complaint so much as a, yeah, that's a thing; she's okay with him doing what he has to do. SHE'D JUST RATHER NOT HAVE A HORDE OF ALIENS COME DOWN ON THEIR HEADS. ] But if we have no choice, we have no choice!
no subject
[levels the barrel of his laser gun at the keypad lock, takes aim, and--]
[there's a flash of red light and a bang as the lock bursts apart and sizzles into a thousand shattered pieces. sparks fly, and the gurgling sound from beyond the corridor suddenly turns into an alarmed, throaty noise]
[the door whooshes open]
Looks like we're welcome in here after all. . .! C'mon!
[he grasps at her wrist and yanks her inside the (currently pitch black) room]
no subject
[ She stumbles in after him ]
See! I don't think it even knew we were there!
[ … it sure is dark in here, uhm. What if she feels around for a lightswitch?! ]
no subject
[bright lights. the kind of searing, fluorescent lights you'd find in a hospital. after creeping through the darkness for so long, it might take a moment for your eyesight to adjust.]
[but congratulations, you've found an infirmary. despite the blood spatters on the door outside, it seems pretty clean. . .? well, except for the stainless steel tray of sharp surgical tools. those are all covered in blood]
[there's another sliding door on the opposite end of the room. and although the one you came through slammed shut at your backs, from beyond it you can still hear the creature approaching, sharp toenails clicking against the floor at a faster pace than before]
no subject
Under here!
no subject
[ But she'll follow him anyway, because why wouldn't she follow his lead. ]
no subject
[. . . besides, he's ducking behind the bed, not underneath it]
no subject
[ HUFFS ]
[ But there she is, behind the bed. She's looking around already, fingers drumming against her weapon, trying to figure out what to do … ]
Do you think we could jam the door somehow?
no subject
[ducks his head low to see if the bed legs have wheels (they do). he lets out a breath and leans his shoulder against the frame]
What about blocking it? Help me push!
[THE ALARMED GURGLING NOISES ARE JUST OUTSIDE THE DOOR]
no subject
no subject
[either way, they push! the bed rolls quickly across the linoleum floor and races towards the door. and just in time too, for the door slides open to reveal ONE OF THESE]
[who lets out a surprise squawk as the bed slams right into its stomach and sends it flying back out into the dark hallway with a crash]
no subject
[. . .]
. . . close enough!
no subject
… S-Sorry!
[ did aoko just apologize to the alien thing YES SHE DID ]
Uhm, Kaito, I think we should— [ gestures?! to the opposite door?! ]
no subject
[okay no that's not important]
Yup! I think we should! Let's go!
[bolting for the opposite door seems to be a wise idea, because that sure is the sound of one angry salad shooter ripping a mattress to pieces with a loud snarl]
no subject
[ yes of course she's taking the time to bicker, but that's only because bickering doesn't slow her down at all. when he bolts, she's right on his heels. ]
Are we going through the same way as last time?
[ maYBE NEXT TIME LET'S NOT DRAW ATTENTION TO OURSELVES, OKAY, WE COULD HAVE AVOIDED ALL OF THIS ]
no subject
[LOOK. LOOK. WE WERE IN A HURRY. IT WAS THE EASIEST WAY IN]
[thankfully, the door they approach (which is labeled HATCHERY) is not locked. it whooshes open quickly, allowing them to escape into yet another dark room]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)